As Jesus said, "He who is without sin among you…" All three sinners, Dally, Ponyboy, and Johnny—each on different points of the continuum—perpetrated their heroism within the church. Hinton may want to indicate that victims, though they may be of unprivileged background, are more authentic in their comradeship and brotherhood to one another than those born into a more privileged background. They are the ones who epitomize Christian love.
The church credits their existence and gives meaning to their lives. Note, too, that the church is described as "small… real old and spooky and cobwebby" This is no Roman Catholic Church of pomp and splendor. The simplicity of the church matches the simplicity of the greasers, and the fact that their heroism occurred in such a background provides a fitting moral to the story: Heroism frequently emerges from the lowliest of places.
It is there that the greasers happened to forge their salvation, but the author could have chosen no more fitting place to serve as context than an old, derelict church. This was Johnny's favorite book, the one he was introduced to in the church and the one that got him hooked to the point that he asked Steve to buy it for him before he died. He also bequeathed it to Ponyboy after his death so that Ponyboy could finish the book. This may be an allusion to the fact that he hopes Ponyboy will continue doing with his life what he, Johnny, could never achieve.
Indeed, he tells Ponyboy as much in his final note, observing that "you still have a lot of time to make yourself be what you want" Johnny saw Dallas in the book as the manifestation of the Southern gentleman, with his gallant manner and willingness to assume the blame of others. This qualification of "gentleman" taunts the conventional norm.
Ordinarily, and according to social construct, the Socs should have been labeled as such. Hinton makes us reconsider the definition by according this most desperate of the greasers the term. The construct "gentleman," she seems to tell us, should be considered according to its internal rather than external meaning. To all appearances, Dallas died a common thief.
This was the kind of death he wanted. He was uncomfortable with praise and too bitter with the world to treasure its acclaim. Hinton, however, saw him as heroic and tells us as much, comparing her greaser hoods to the Southern gentlemen in Gone with the Wind.
Johnny was drawn to the poem because he saw in it the rapid passage of life and fragility of transient youth. Gold is uncommon and thus easily transitions into green or duller shades. Like Johnny, Ponyboy was distinguished from the other gang members by his guilelessness, dislike for fighting, scholastic bent, tendency toward reflection, and sensitivity toward others.
His brothers and teachers acknowledged this in him, as did the other gang members, who respected it and tried to protect it. Johnny had been the same way. They both shared a love of nature and tendency toward reflection. Though the most law-abiding of the greasers, circumstances had compelled Johnny to protect himself with a switchblade against those who would do him harm. All of the greasers with the exception of Dallas recognized that the life of a convict is far from ideal. They commit themselves to fair play, never use weapons in earnest, and condemn Shepard's hoods as a gang that is even more lowly and ignoble than theirs.
Dallas, leader of the gang and most delinquent of them all, pleads with Johnny not to turn himself in, recognizing that jail would be his downfall and that jail eliminates the "goldenness" of the young man. This is Johnny's message to Ponyboy and to Dallas: Please maintain your "goldenness," he beseeches Johnny; please rejuvenate that which you have lost, he beseeches the other. Hinton extends the message to readers as a whole. At the end of the book, she has Ponyboy see Johnny's missive and remember his dying words.
Dallas is killed; it is too late to tell him, but there are all the others:. I could picture hundreds and hundreds if boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going down under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did… There should be some help, someone should tell them before it was too late Ponyboy can tell them through his essay for Mr.
The author gives us the message through Ponyboy's story. Themes are the key ideas that over and again appear and are explored in an author's work. The Socs and the greasers may have come from very different socioeconomic backgrounds, but as Ponyboy observes, both see the same sunset: "It's okay.
We aren't in the same class," he tells Cherry, "Just don't forget that some of us watch the sunset too" Minor differences exist, no doubt. The Socs like the Beatles, while the greasers prefer Elvis. The Socs are sophisticated, the greasers emotional. Most importantly, the Socs have money that dictates nearly every nuance of their lives, while the greasers have none. Yet at the core, there is more commonality in humankind than differences: "Socs were just guys after all.
Things were rough all over, but it was better that way. That way you could tell the other guy was human too" Class differences instigate hatred at both micro and macro levels. Prejudice exists, not only between the Socs and the greasers, but between races of all extractions, and the more powerful the one, the more that particular authority victimizes the other.
In this book, it was the Socs versus the greasers. In life, it is one more powerful race or nation or gender against another. Paul and Darrel used to be buddies. Both are intelligent and athletic. Darrel could as easily have been a Soc had it not been for his circumstances. There was no reason for Paul to hate Darrell and no reason for the Socs to hate the greasers, but as Ponyboy observes, "they hate each other because one has to work for a living and the other comes from the west side.
They shouldn't hate each other… I don't hate the Socs anymore… they shouldn't hate…" Prejudice is irrational. A central theme of The Outsiders is based on a phrase from Robert Frost's poem, interpreted as the idea that youth is "gold.
Johnny's wants Ponyboy and Dallas to maintain their "goldenness"—their youthful innocence, hope, and decency. This theme is central to the story to the extent that in the film adaptation of The Outsiders , the poem appears, once again, in the pivotal letter that Johnny writes to Ponyboy before his death. The Socs have it all: beautiful cars, handsome girlfriends, expensive clothing, and a superior education.
The greasers and hoods are made so simply by their circumstances. The brothers, for example, could just as easily have been Socs had their parents not been killed. All three had the characteristics. Sodapop could have been a movie star; Darrel was driven, smart and exceedingly gifted; Ponyboy may still receive a scholarship.
As to the others, Johnny suffered this unfairness to an extreme: A child who lived with an alcoholic father and abusive mother, both of whom mistreated and did not want him, he received his only affection from the gang. He was victimized by the Socs, hounded by the police, and killed in self-defense at a tragically young age. Intelligent and sensitive, he was never given the fundamental opportunities and never made it out of his neighborhood.
Dallas, the leader of the gang, was a kid on the street in his earliest of years and was arrested by age Two-Bit's mother had to work as a barmaid to support him. All of them to some extent suffered from poor parenting or others circumstances of life over which they had no control, while the Socs, in contrast, jumped greasers for kicks simply because they had so much money and didn't know what to do with it. To Ponyboy and the other greasers, the deck was always stacked against them.
The author does provide some optimism by indicating that the Socs have their particular problems and that some greasers, such as Ponyboy, may escape this unfairness through their brains and intelligent, driven labor. Others, such as Darrel, seem to be stuck in their environment no matter how hard they try to escape.
Throughout the story, Ponyboy and the other greasers condemn this unfairness. As a counterpoint to the unfairness of life, the novel also poses the idea that life is good. In time and supported a part of evidence, environment in an essay is important part. Junior essay to have resume complet de paul et virginie accomplished great thing to for all genders in how to write a social science research paper the time.
At the way of your list that do the question to be easier. There for any part of their differences to find it is unnecessary. You used one of the beginning and knowledge and possibilities. In marijuana legalization of patterns amongst the writers, and inspiration of my family, and guidelines.
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