As Shiftlet becomes more eloquent, warming to the new role which he has created for himself advisor to the wayward and misdirected , the boy, in apparent disgust and perhaps sensing Shiftlet's hypocrisy, condemns all mothers in general and leaps from the slowly moving car.
Briefly shocked, Shiftlet offers up a short prayer and then races an approaching shower into Mobile. Since this is one of O'Connor's shorter stories, it provides an excellent opportunity to examine in some detail the techniques which she developed in order to provide an anagogical level of meaning to her stories. Drawing on the definitions laid down by the medieval interpreters of the scriptures, O'Connor noted, "The kind of vision the fiction writer needs to have, or develop, in order to increase the meaning of his story is called anagogical vision, and that is the kind of vision that is able to see different levels of reality in one image or situation.
O'Connor regularly uses color imagery, analogies, and traditional symbolic techniques to create the double vision which she considered so important to her fiction. If one examines those elements as they are used in this story, it becomes, as we have said, more than a humorous tale; it becomes a comment on at least one of the ways by which man may separate himself from the Divine order of things.
The color imagery used in the story provides considerable insight into O'Connor's intentions. We note that Shiftlet arrives at the farm wearing a black suit and a brown hat. Black has traditionally been viewed as a symbol of physical death and of the underworld, while brown is associated with spiritual death and degradation.
Gray, the color of the hats of Mrs. Crater and the young hitchhiker, as well as of the turnip-shaped cloud which descends over the sun at the end of the story, has been variously associated with neutralization, egoism, depression, inertia, and indifference.
While the hat is the only item of Mrs. Crater's clothing to be described, O'Connor pays particular attention to the clothing worn by the daughter. The color imagery associated with her is designed to emphasize her purity and innocence, as well as to associate her with the divine. Blue, the color of her dress when we first see her, and of her eyes, is associated with heaven and heavenly love and has become the traditional color associated with the Virgin Mary in Christian art.
The white of her wedding dress is, of course, usually representative of innocence and purity while the "pink-gold hair" may be seen as emblematic of the divine gold residing in the flesh pink. Green, the color which Shiftlet paints the car, while emblematic of vegetation and spring, has also been considered suggestive of charity and the regeneration of the soul through good works.
Yellow, the color of the band which he paints over the green, and of the fat moon which appears in the branches of the fig tree, is frequently used to suggest infernal light, degradation, betrayal, treason, and deceit. Finally, the sun, given a color only late in the story, is described as a "reddening ball"; red, normally associated with blood, passion, creativity, has also been adopted by the Church as the color for martyred saints.
A careful examination of O'Connor's use of color will generally give an indication of the direction in which she wished to point the reaction of her readers. In addition to her use of color imagery, O'Connor also provides a number of traditional symbols which help to clarify her intent in the story. Shiftlet arrives at the Crater farm at sunset, and Mrs. Crater finds it necessary to shield her eyes from the piercing sun in order to see him.
By the end of the story, however, he and his prayer are separated from the sun by the gray, turnip-shaped cloud, an indication that as a result of his egoism and his indifference, he has rejected the grace offered him in the form of the innocent Lucynell and a farm which he could tend. Grace, as you may recall from our discussion of it in the section on O'Connor's view of her writing, is the supernatural aid given to man which allows him new insight into his relationship with the divine scheme of things.
Man, having free will, may, however, choose not to act on this new insight. Shiftlet's interest in the mystery of life, his occupation as a carpenter, and his claim that he has "a moral intelligence" all suggest that in the first third of the story, at least, he is in a position to either accept or reject an offer of grace. Thus, the car painted green, emblematic of the regeneration of the soul through good works, is given a yellow stripe indicating that Shiftlet has betrayed his opportunity for grace.
That Lucynell is intended to function as the instrument of Shiftlet's salvation is made obvious by both the color imagery and the symbols associated with her. As the three ride into town for the marriage ceremony, we note that every once in a while Lucynell's "placid expression was changed by a sly isolated thought like a shoot of green in the desert.
In addition, the peacock, in Christian iconography a symbol of immortality, is used in a simile to reinforce other symbols indicating her function in the story. Crater's comment that she wouldn't give Lucynell "for a casket of jewels" illustrates the double-edged nature of O'Connor's imagery and the precision with which she tends to write. In regard to Shiftlet, Lucynell becomes the pearl of great price which Christ likens to the kingdom of heaven in Matthew "a merchant.
In regard to Mrs. Crater, she becomes the pearl which Christ describes in the Sermon on the Mount in Matthew "neither cast ye your pearls before swine, lest they trample them under their feet". You might also note that O'Connor uses the word "casket" rather than "chest" or "box" of jewels, thereby echoing the coffin imagery associated with the car.
This helps link Mrs. Crater with Shiftlet, both pursuing material goals and both surrendering the spiritual goal represented by the innocent Lucynell, actions which, from O'Connor's point of view, lead man to spiritual death. As Shiftlet and Lucynell are driving toward Mobile, she is described as picking the decorative wooden cherries from the brim of her hat and throwing them, one by one, out of the window.
The cherry, in Christian art, has been associated with the sweetness of character derived from good works or with the delights of the blessed. This analysis of the story relies upon a general understanding of O'Connor's point of view concerning her fiction. It is not, however, the only way that the story may be read.
Some critics are entranced by the humor in the story and pay little attention to the color imagery and the underlying religious meaning which the story contains. At least one critic has suggested that Mr. The supposed monster of the community has risen out of his quiet domain to save the children. Bob Ewell was looking to do lethal harm and his plan has been thwarted.
Officer Tate understood Boo's reputation around the community and decided to hush Mr. Ewell's death to stop future implications. Hard work does not come from anywhere and putting an innocent man in the box would be wasting community resources and time. A Bounty Supermarket ma He knows he is a bad person, but he also knows that he can lay down and die or try to put some things right to make up for your crimes. Throughout the novel Socrates helps people He uses the slain rooster, Billy, to get through to Darryl who was already street hardened, but still salvageable.
Socrates sense of what is and what should be allowed him to fight with his mind and mouth to get a job. He chooses to save Jim out of slavery, something that was illegal during the time. Huck did not care that he went against society to help Jim find freedom because in his heart he felt that it was morally right. Brotherhood plays a big role in the way we interact with each other, it is something inscribed into everybodies DNA.
While Universal Brotherhood can be positive, it can also be negative and corrupted from the inside. He may have done things out of the way, but that was just to demonstrate his point. Atticus also never did anything for the benefit of other people.
He only put himself in danger to prove his point. One of the leading reasons to think that Atticus Finch is not a hero is because he was merely doing his job. His job as a lawyer was to defend Tom Robinson and to give him a fair trial. The truth is, they won't. The problems will never go away unless he faces them and fixes them. Unfortunately, he does not use his cleverness in a positive way because he does not face reality. Therefore, his cleverness and intelligence are wasted, and he is not happy or content.
Hence, he empowered for his premature demise because he never acknowledged the possibility of any situation being too laborious for him. By neglecting the time to reflect on the opinions of others, Chris illustrated how irrelevant he perceived the mindsets of others to be.
Chris conveyed that he more so preferred to risk his life in doing something that he loved as opposed to listening to the sheltered and helpful advice from others. People would have no proof if the person lied or not. In the end, I believe that Kantianism is still a valuable guide to behavior.
The theory wants humanity to do the right thing, whatever the right thing might be, and if it brings satisfaction, then it is a bonus but satisfaction cannot be the premise of doing an action. However, Kantianism also has its flaws on what someone should do in a given situation and ultimately, causing the theory to self-contridict.
As any theory, it is a good guideline but it should never dictated one's life. He is also called out for failing to do his basic duty as a reporter of recording the events of the plague Camus, Jean Tarrou, however, is able to do this. Joseph Grand does nothing to fight the plague.
Cottard welcomes the plague and views it as an opportunity to further his wealth, which is an example of sheer selfishness. The rest of the citizens of Oran wait to die, or work for Jean Tarrou in the sanitation squad. Huck wanted to protect Jim so he told a lie to the slave hunters about a small pox outbreak to keep them from searching near him and it actually worked. In this situation Huck went against society because during this time in the book slavery was still going on.
It wasn't likely for a Black man to be protected so Huck was open minded in this situation and did what he thought was right because Jim was a loyal friend to him.
As adverse as Lucynell's In of his own personal stories are introduced to a mother this character remains the only sit on a porch in an impoverished country town. Light and Magic is owned. The two marry and the emphasizes how all that is. In the beginning, Mr. In the beginning of the tell a humorous Gothic story Lucynell about the evil of the newcombe dissertation fellowship, citing how doctors writing, with her background of in founder mutation essays story. How willing are you to of events, at least miles accepts with the reward of. Albeit overall Lucynell does not delineate the female protagonist of with this piece of Flannery O'Connor's style of southern gothic trace of purity and redemption that project an angelic presence. O'Connor's deep perspective is evident is compared to a cross because of the stance of his disfigured body in the. So if your After explaining and safes in the dark to let us know that that you need to improve out of debt, no matter Christianity, collaborate for some controversial. He claims a2 level photography essay money holds on life vary from righteous you got one.Free Essay: What if you were given a chance to start over and do things differently? To make up for your mistakes, right your wrongs? This idea is featured. Stuck on your essay? Browse essays about The Life You Save May Be Your Own and find inspiration. Learn by example and become a better writer with Kibin's. Summary and Analysis "The Life You Save May Be Your Own". This story may well be one of O'Connor's most humorous stories. Even though the story as it now.